Documentary
-
“It Became More a Story About How the Artwork, and All the Commotion Around It, Affected His Mental Health”: Ole Juncker on His Tribeca-Debuting Take the Money and Run
Ole Juncker’s Tribeca-premiering Take the Money and Run follows Jens Haaning, a Danish conceptual artist to whom the Kunsten Museum of Modern Art Aalborg loaned $83,000 — money that was to be tangibly incorporated into a specific commission for their 2021 group exhibition centered on the future of working life. (Which was not so creatively titled “Work it out.”) Unfortunately for the museum, Haaning decided to incorporate the dollars into his own personal life instead, though he did deliver a piece called Take the Money and Run — a pair of empty frames — along with an email explaining the […]
by Lauren Wissot on Jun 6, 2025 -
“One of our Biggest Challenges Was Painting the Pool”: Isaac Gale on Swamp Dogg Gets His Pool Painted
Isaac Gale and Ryan Olson’s Swamp Dogg Gets His Pool Painted is a gonzo doc that perfectly reflects its trio of carpe diem stars — fun-loving musicians who reside in a bachelor pad in the hedonistic San Fernando Valley (aka the capital of porn). That Swamp Dogg, Guitar Shorty and Moogstar also happen to be in the AARP demographic (two of the three octogenarians) only adds to the unconventionality of it all. As does the filmmakers’s choice to forego the usual biopic route, which they clearly could have taken. The titular star, born with the far more staid name Jerry […]
by Lauren Wissot on May 2, 2025 -
“The Film Asserts a Clear Political Analysis of Zionism, and Simultaneously Does So While Asserting That No Human Beings are Villains”: Tatyana Tenenbaum on Everything You Have Is Yours
Tatyana Tenenbaum’s Everything You Have Is Yours centers on NYC-based choreographer Hadar Ahuvia, specifically her coming to terms, through her chosen art form, with the colonialism and cultural appropriation that birthed the Israeli folk dances she was raised on in Hawaii (by way of Israel/Palestine) and which she still deeply loves. It’s a maddening conundrum that likewise could be applied to the Jewish state itself. As Ahuvia reflects towards the end of the intriguing doc, “Palestinians’ lives are at risk. And Israelis’ lives are at risk because Palestinians’ lives are at risk.” And while much of the film is focused […]
by Lauren Wissot on May 2, 2025 -
“Radiation Became a Presence—Almost Like a Mythical Force”: Zhanana Kurmasheva on We Live Here
“Some places on Earth carry a weight that is almost impossible to put into words” is how Zhanana Kurmasheva puts it in her director’s statement for We Live Here, which world-premiered at CPH:DOX and next screens in the World Showcase section at Hot Docs. Fortunately, Kurmasheva has a way with images that allows her to artistically convey both the gravity and eerie specificity of the Semipalatinsk Test Site. Set in the breathtaking Kazakh steppe, it’s an otherworldly place where the Soviets spent over four decades — until 1991 when Kazakhstan gained its independence — conducting a whopping 456 nuclear tests; […]
by Lauren Wissot on May 1, 2025 -
“What’s Remarkable To Me About the Story of the American Public Library is How Much of It Cuts Across Political Lines”: Lucie Faulknor and Dawn Logsdon on Free for All: Inside the Public Library
Nearly 12 years in the making, Lucie Faulknor and Dawn Logsdon’s Free for All: Inside the Public Library is a heartfelt journey into the history of an institution that went from a radical idea (the “Free Library Movement”), to an entity taken for granted, to a present-day site of ginned up controversy. It’s also a contemporary cross-country celebration of the (overwhelmingly female) librarians then and now who fought, and continue to fight, for the right to knowledge for all. A few weeks before the doc’s April 29th debut on PBS’s Independent Lens, Filmmaker reached out to the co-directors, both lifelong […]
by Lauren Wissot on Apr 29, 2025 -
“An Invitation to Connect More Deeply with Our Environment, Ourselves, and Our Collective Power”: Sasha Wortzel on Her Hot Docs-Premiering River of Grass
“Nature will always win in the end,” notes Native American environmental activist Betty Osceola, one of several intriguing characters, human and not, that star in River of Grass, Sasha Wortzel’s highly personal love letter to a region both she and the Miccosukee tribal member call home. In fact, Osceola, a fiery grandmother, has dedicated her entire life to protecting her family — the Everglades itself. (Another thoughtful protagonist, a Miccosukee environmentalist and poet, likewise refers to his tropical surroundings as relatives, adding that “Chosen family is a survival strategy.”) As the strong-willed Osceola sees it, the question is really, “Do […]
by Lauren Wissot on Apr 28, 2025 -
“What is Remembered… Is a Political Act that Can Be Weaponized”: Vicky Du on Light of the Setting Sun
Vicky Du’s Light of the Setting Sun is both intimate and expansive, tragic and hopeful. It’s a globetrotting look at the filmmaker’s own family across three generations and a trio of countries: the U.S., where Du grew up; Taiwan, where her parents hail from and where many of her relatives still reside; and China, where 95 percent of the clan was massacred during the Cultural Revolution. It’s also a delicate unearthing, and a piecing together of personal history through archival footage and interviews with family members – some more reluctant than others to address the inherited trauma forever looming like […]
by Lauren Wissot on Apr 18, 2025 -
“The Biggest Challenge Was That Janis Has Led an Incredibly Interesting and Varied Life”: Director Varda Bar-Kar on Janis Ian: Breaking Silence
Even if you don’t count yourself has a diehard Janis Ian fan, the singer-songwriter’s songs, such as her 1967 hit “Society’s Child,” when they appear in Varda Bar-Kar’s compelling bio-doc, Janis Ian: Breaking Silence, will strike a memory chord, so ubiquitous they have been across radio playlists for more than half a century. It’s a real strength of Bar-Kar’s film, which is organized around several of Ian’s most memorable albums, including the eponymous 1993 release, that she weaves these compositions into a rich fabric that places Ian’s personal life story — her coming out, her relationship with and 2003 marriage […]
by Scott Macaulay on Apr 7, 2025 -
Seven Documentary Organizations Sign Letter Decrying DOGE National Endowment for the Humanities Cuts
Seven filmmaker support organizations, including the International Documentary Association, Women Make Movies and Third World Newsreel, have signed a letter protesting Trump administration cuts to the National Endowment for the Humanities that will affect both independent documentary filmmakers and non-profit organizations. In addition to funds for future grants, the administration is rescinding grants awarded during the Biden administration — monies that filmmakers and organizations had already planned to spend. The New York Times reported today: Starting late Wednesday night, state humanities councils and other grant recipients began receiving emails telling them their funding was ended immediately. Instead, they were told, […]
by Scott Macaulay on Apr 4, 2025 -
“Most of Us Went to the Front for the Sake of our Children’s Future”: Alisa Kovalenko on her CPH:DOX-debuting My Dear Théo
“Kids and sweet love are the most important thing. And not all this stuff – trenches and war. But if we’re not here there won’t be any kids or sweet love,” a grizzled Ukrainian special forces commander tells one of his charges, a fellow soldier fighting alongside him on the frontline of a seemingly never-ending war. It’s a heartfelt scene made all the more poignant by the identity of the comrade with a camera he’s addressing, a mother named Alisa Kovalenko whose young son Théo has been evacuated to France (along with the filmmaker’s mother and French partner). My Dear […]
by Lauren Wissot on Apr 1, 2025
